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In the 1960s, Motown and its soul-based subsidiaries were the most successful proponents of what came to be known as The Motown Sound, a style of soul music with a distinct pop influence.īerry Gordy got his start as a songwriter for local Detroit acts such as Jackie Wilson and The Matadors. on Januas Tamla Records, the company started as Motown Record Corporation on April 14, 1960. Motown Records was a record label originally based in Detroit, Michigan, USA. In the end, the Isley Brothers left to resurrect their label T-Neck, building a respectable career on their own terms.Hire to Play Tamla Motown at Your Next Event Tamla Motown. Addressing social issues had yet to come with the Temptations' Cloud Nine and Marvin Gaye's What's Going On. Worse: the reissue company took the liberty of omitting the Isley Brothers' dramatic masterpiece, the Verdi-prefaced "Behind a Painted Smile." Among the other half of the album is the beautiful "My Love Is Your Love (Forever)," oddly reminiscent of "This Old Heart of Mine." Attentive listeners may recognize a true gem in the tearjerker "Greetings," with its hilarious climax: a sobbing Ronald Isley, brutally interrupted by a nightmarish drill instructor, urging him to "Come oooon boy, we're gonna make a maaaan out of you." A devastating antiwar statement, showing the Isley Brothers were at the right label at the wrong time. Released after their departure from the label, it revisits "Got to Have You Back" and some less memorable selections that don't really stay with the listener even after repeated plays. Tamla Motown Presents the Isley Brothers is part reissue, part leftover. As the album of the same name leaned on Supremes and Martha & the Vandellas repertoire, so the follow-up Soul on the Rocks sounded too much like territory well covered by other Motown acts. Since the Isley Brothers were never a priority at the label, the content of their few albums suggest a case of cashing in on the coincidental chart success of This Old Heart of Mine. For a start, all Motown acts had to stand patiently in line as the label's famed writing and production team of Holland-Dozier-Holland busied itself with the Supremes and the Four Tops. The potential of Ronald Isley might have been overlooked, or their arrival was simply a case of bad timing. Trying yet for a third time to assert their talents turned out another false start. Hooking up with Motown proved a short-lived marriage for the Isley Brothers.
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